วันพุธที่ 3 ธันวาคม พ.ศ. 2551

Hip Hop Clothing

Celebrities now such as Outkast, a fashion wear can be a must have. Likewise gainful for celebrities included within the clothing lines world, which is how come we are in possession of these most up to date hip hop clothing lines on the market like, FuBu. With very good class hoodies & great urban clothing show rooms such jewelery will not be declined! Ecko set the standard in the hiphop world, with a imaginative collective of urban designers unendingly working on offering its customers the best in the modern urban trends. These Johnny Blaze list of hoodies, will be advertized towards boys as well as men from ages 12-40. Because of the Wu Tang Clan launch, the make has revelled critical and commercial victory. Sean John has speedily aged from an urban label towards an global brand name. GGG Unit Sneakers are sneakers contrived and commercialised by the famous Reebok Kicks Company. Famously it was a trainer conceded to rap artist 50 Cent fallowing 50cents clique G Unit brought out their debut album Beg For Mercy. These sneakers are one of the most fashionable rap marks and projected for comport.

A Gorilla Unit list might 1st very first a restricted mens clothes clothing line as much as the spring & next uncover a wide for men only main line next summer. Though a childs clothing line also a womens line could be in long term plans, the list will not be be detained to fashion as GUnit watches. First off noticed by the hip hop icon Dr.Dre, and so debut of the Slim Shady LP, his up-to-date albumn on Shady Recording label, by now got major fans of hip hop interested in Marshall Mathers. Full to the brim of dazzling lyrical hits that explore deep into the head of a dangerously maddened but extremely special artist, the songs incorporates alot of the most unforgetable and haunting controversal lyrics ever put down. And the key reason for the large success of Slim Shady.

<a target="_new" href="http://hiphop-clothing-line.com">Hip Hop Clothing</a>

3 Secrets To Understanding What Makes Music Tick

It's no secret that virtually everyone loves music in some form or other. After all, music is the universal language. In one way or another we all participate in it from our cradle song to our wedding song to our funeral song, with thousands of other s stops along the way.

The country-western fan may not like jazz, but he or she sure loves the sound of pickin' & grinnin'.

And that's as it should be. If we all liked the same kind of music, there just wouldn't be the variety that is available to us now. We can choose from musical styles ranging from heavy classical and opera to rock to children's songs to Broadway musicals to gospel music to the blues.

Each has its place, and each seems on the surface to be drastically different than another form of music. The key word is &quot;on the surface.&quot; But beneath the surface of all music is a commonality that is organic to all forms and styles of music.

So what does all music have in common? What makes music tick?

At least 3 things ? sometimes more, but never less:

1. Melody

2. Rhythm

3. Harmony

The melody is the part of a song or composition that you whistle or hum ? in other words, the tune of the song. In one sense, it is the most visible of the 3 elements, because melody is what identifies a song. Without melody, it would be difficult to even conceive of a song or piece.

In musical notation, the melody is almost always written in the treble clef ? also known as the treble staff. It consists of a horizontal line of notes that move up and down on the clef as the tune moves higher or lower.

Rhythm is the beat ? the swing ? the throb of the music. It happens in repeating patterns, depending upon the type of music. It is like a horizontal line of beats which occur at regular or semi-regular intervals. A waltz, for example, basically consists of a heavy beat followed by two lighter beats. So we say that a waltz is in triple meter ? one strong beat followed by two weak beats, then repeated.

A march, on the other hand, generally consists of a heavy beat followed by a light beat, then another heavy beat followed by another light beat. (I'm simplifying, of course ? there are many varieties?) So a march is in duple meter ? as you might expect since we have two feet and we march in left-right-left-right patterns.

All rhythms are some combination of triple meter and/or duple meter, and the possibilities are endless ? from boogie to R&B to mambos and sambas and bossa novas and?.on and on.

Harmony, the 3rd aspect of music, is the musical background of a song ? the chords, or intervals &quot;behind&quot; the melody. Without harmony, a song sounds empty ? like a vocalist singing without an accompanist ? or accapella. Music doesn't HAVE to have harmony to function, but in actual practice it almost always does, even if it is just the interplay of two melodies, as in counterpoint.

You could spend a lifetime learning all the nuances of music, but it its most basic form, it is these 3 elements combined together; melody, rhythm, and harmony that comprise music.

Duane Shinn is the author of over 500 music books and music educational materials such as DVD's, CD's, musical games for kids, chord charts, musical software, and piano lesson instructional courses for both children & adults. His book & DVD course titled <a target="_new" href="http://www.pianoplaying.com/">"How To Dress Up 'Naked Music' On The Piano!"</a> is used by adults around the world. He holds advanced degrees from Southern Oregon University and was the founder of Piano University in Southern Oregon. He is the author of the popular free 101-week online e-mail newsletter titled <a target="_new" href="http://www.playpiano.com/">"Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions"</a> with over 59,700 current subscribers.

To Record or Not To Record - At Home, That Is

I will be honest. I am addicted to music recording. I love moving faders, adjusting levels, panning, reverberating, sequencing, you name it. I especially love all that software, and the colorful ways that they show the music as a waveform. It is just cool.

And I'm not the only one. My cousin has just become hooked as well, and all around the globe many many songwriters are falling prey to the "Call of the Cubase." After all, what once upon a time could break the bank, is now easily accessible on our desktops. Every songwriter can record his/her songs for a pittance. So is this a good thing? And should we all be doing it?

On the surface, it's a no-brainer. Well, why not record? It stimulates creativity. It liberates more music from the brains of its creators. It puts more pleasure into the world. And yet, there is a downside or two to consider when you plan to record your stuff, at least at home.

Natural selection was Darwin's theory, and it applies equally to music as well. I'll be honest, I'm not the greatest songwriter. I tend to write stuff that is too long, overly cliched, and requiring the vocal range of Luciano Pavarotti mixed with Paul Robeson. Every so often, though, almost despite my best efforts, I'll crank out a beaut. When that happens, it deserves immediate posteritizing (recording for posterity), but, alas, there is a long line of "I-really-shouldn't-record-this-but-why-not-it's-cheap-to-do-it" material in front of it. Each of those will take a good week of work to arrange, record, overdub, mix, master, remix, remaster and burn. Add to that two days of regret after I've listened to the atrocious thing, you have 9 days. If I had to pay for a studio, I'd only have gone with the winner, and thos eother songs would have thankfully remained mere twinkles in my eye.

That's the first thing to consider. It's not for the betterment of the world to record everything just because you can. With the advent of the home studio, the natural selection process disappeared, and people don't have the same pressure to let their material grow, become refined, and be sure that they are going for the gold before they start laying down tracks. Always ask yourself if you can do better before you start. Don't let the technology cripple creativity with its instant allure.

Now let's say you really have an ace song on your hands. No reason not to record this, you're saying, and you're right. But. Is doing it at home the way to go? The answer is a resounding ... depends. Depends on what gear you have, sure. But even more, it depends on what you are capable of doing with that gear. If the ease with which one can record at home has limited creative quality, it may do the same to sonic quality when the creativity has been truly remarkable. I love those gadgets, but I will admit that I can never seem to get the sound I hear in my head when I write those songs. If I were properly trained, I'm sure I'd have a different take, but I'm not, and how many of us are?

So my compromise has been to have all the fun in the world with the songs I'm not staking my future on, while the keepers get a professional to make sure that I'll get that record deal. I would highly recommend, however, to record your songs at home as a prequel, if you will, to the studio. The benefits are knowing how your song will take to tape on a basic level, as well as seeing any weaknesses in your arrangements. It is a great scratch pad, and then, when you get into the studio, you'll have a great head start.

I hope everyone thrills to this wonderful world of songwriting, and whether your goal is simply to give CDs to your friends and family or to be a megastar (hope we make it), you'll use home studio technology to stimulate creativity, improve your craft and career and have a blast. Happy tunes!

Seth Lutnick is a singer, songwriter and arranger. Visit his website, <a target="_new" href="http://www.getitdone.biz">http://www.getitdone.biz</a>, for more on creating and using a <a target="_new" href="http://www.getitdone.biz/Music/studiointro.html">home recording studio</a>, and <a target="_new" href="http://www.getitdone.biz">personal action planning</a>.

วันอังคารที่ 2 ธันวาคม พ.ศ. 2551

Playing The Violin Is For Everyone Who Loves Music

Every day musical instruments enrich the lives of people around the world and continue to promote culture and art throughout every society and community, no matter what size or structure. Even those people of the world who live outside the realm of technology enjoy and use musical instruments to tell stories or entertain. Someone who has never played musical instruments but is interested in trying one has quite a selection to choose from

Playing the violin is a wonderful experience and relatively easy to learn if you take it step by step. Firstly however you need to understand the mechanics of the violin so you know where to put your fingers and why.

The main components of the violin are the front, also called the belly, top, or soundboard, usually made of well-seasoned spruce; the back, usually made of well-seasoned maple; and the ribs, neck, fingerboard, pegbox, scroll, bridge, tailpiece, and f-holes, or soundholes. The front, back, and ribs are joined together to form a hollow sound box. The sound box contains the sound post, a thin, dowel-like stick of wood wedged inside underneath the right side of the bridge and connecting the front and back of the violin; and the bass-bar, a long strip of wood glued to the inside of the front under the left side of the bridge. The sound post and bass-bar are important for the transmission of sound, and they also give additional support to the construction. The strings are fastened to the tailpiece, rest on the bridge, are suspended over the fingerboard, and run to the pegbox, where they are attached to tuning pegs that can be turned to change the pitch of the string.

A violinist makes different pitches by placing the left-hand fingers on the string and pressing against the fingerboard. The strings are set in vibration and produce sound when the player draws the bow across them at a right angle near the bridge.

Among the most decorated characteristics of the violin are its singing tone and its potential to play rapid, brilliant figurations as well as lyrical melodies. Violinists can easily create special effects by means of the following techniques: pizzicato, plucking the strings; tremolo, moving the bow rapidly back and forth on a string; sul ponticello, playing with the bow extremely close to the bridge to produce a thin, glassy sound; col legno, playing with the wooden part of the bow instead of with the hair; harmonics, placing the fingers of the left hand lightly on certain points of the string to obtain a light, flutelike sound; and glissando, steadily gliding the left-hand fingers up and down along the string to produce an upward- or downward-sliding pitch.

Among composers of major solo and chamber works for the violin are Bach, Wolfgang Amadeus Mozart, and Ludwig van Beethoven in the baroque and classical eras; the Austrian Franz Schubert, the Germans Johannes Brahms, Felix Mendelssohn, and Robert Schumann, and the Russian Peter Ilyich Tchaikovsky in the romantic era; and the French Claude Debussy, the Austrian Arnold Schoenberg, the Hungarian B?la Bart?k, and the Russian-born Igor Stravinsky in the 20th century.

You are certainly joining an elite group when you pick up a violin.

Looking for information about the violin? Go to: <a target="_new" href="http://www.mrviolin.com">http://www.mrviolin.com</a>

'Mr Violin' is published by Helen Baxter - The Complete A to Z Of Violin Resources! Check out more violin articles at: <a target="_new" href="http://www.mrviolin.com/archive">http://www.mrviolin.com/archive</a>

Can You Really Learn To Play a Musical Instrument From an Online Course?

Out of the 250 million people in the United States, about 25 million of them play an instrument of some kind, or used to when they were in school and would like to pick up where they left off. Another 30 million or so sing in a church choir, a barbershop quartet, or at the very least, in the shower.

That means that there are over 50 million folks ? adults ? who would like to play their instrument or sing better than they do now. After all, everyone wants to improve his or her skills, no matter what the field.

Before the advent of the Internet, if adults wanted to learn to play a musical instrument, they had to schedule a lesson time with a teacher in a store or studio or if they were fortunate, in their own home with a teacher who would come each week for a lesson.

That meant doing it after work, driving to a store or studio, dealing with transportation, babysitting, illness, cancellations, and so on. Very few adults who started lessons that way continued very long, as it was a continual hassle.

But with the development of the World Wide Web, music teachers have gone online to offer lessons to adults in the comfort and convenience of their own homes. No scheduling problems, no transportation issues, no cancellations ? none of the problems inherent in traditional lessons.

Here are a few of the many courses available for adults online:

Jamorama Guitar Course

Stripped-Down Guitar Course

SlapBass Guitar Riffs

Guitar Made Easy

Acoustic Guitar Workshop

Screaming Fingers Guitar Course

One Weekend Guitar

Make Money Teaching Guitar

Learn Chords Fast

Instant Chord Finding Software Download

84 Piano Chords

&quot;Crash Course&quot; in Exciting Piano Playing on DVD's!

How To Play Piano By Ear

How To Dress Up Naked Music

How To Play Praise & Gospel Piano

How To Play &quot;Black Gospel&quot; Piano

How To Play Contemporary Urban Worship Piano

All The Chords In The Whole Wide World

How To Play Chord Piano...In Ten Days!

Learn To Play Electronic Keyboards

Singing Success!

Drum patterns online to download!

Your own "Drum Machine" online!

Learn to read music fast

Children Can Read Notes Easily!

Learn to Read Music in One Evening!

Even though this is a big list of music courses for adults now, it is growing at an exponential rate. The opportunity for learning music at your own pace online has never been greater, so take advantage of it and start improving your musical skills without delay!

Duane Shinn is the author of over 500 music educational materials for adults. A review of music courses online is at <a target="_new" href="http://www.music-guitar-piano-portal.com/">"Great Music Courses Online!"</a>. Duane is the author of the popular free 101-week online e-mail newsletter titled <a target="_new" href="http://www.playpiano.com/">"Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions"</a> with over 58,600 current subscribers.

How To Write A Song

Did you ever wish that it was your song playing on the radio? It could be. It is not that hard once you know the formula. With a little creativity, a little knowledge, a little luck and a good formula to follow, your song could be one of the next biggest hits.

Songwriting comes easy for some, and is very difficult for others. I have actually written songs in my sleep, and immediately upon awaking, written it as quickly as I could get the words on down on paper.

What I want to discuss here is popular songwriting, like the songs you hear on the radio. A good pop song, whether rock, country, middle of the road, is composed of two things: a catchy tune and some good lyrics.

There is a formula that most great songwriters use to write great songs. It regards the structure used to write a song. Granted, it is music and it is art, so the rules are not hard and fast. But if you want to increase your chances of getting your song on the radio, it is a good starting point.

Here is the formula. Verse, chorus, verse, chorus, bridge, chorus.

Write that down on paper leaving plenty of space between each word and this will be your script.

Verse

The verse is the part of the song that tells the story, the part that leads to the chorus. Each verse is usually different, telling a different part of, or adding to, the story. It usually explains how you got to the things you are singing about in the chorus.

Chorus.

The chorus is the part of the song that is repeated after each verse. The lyrics are usually the same each time the chorus comes around. The verse usually leads to the chorus, and the chorus is usually the pay off for listening to the verse. Does that make sense?

Here is a lame example (you did not think I would give you my best work, did you?):

(verse)
My dog is sick, he's got a tick
He's my best friend, don't let it end

(chorus)
Oh, woe is me, can't you see
Woe is me, will I ever be free

(verse)
My car broke down, just out of town
It got towed in, but it's broke again

(chorus)
Oh, woe is me, can't you see
Woe is me, will I ever be free

Now, if you would kindly stop laughing at my lame song for a minute, I want you to think about whether or not you understand my point. Songwriting is story telling. The verse tells the problems, the chorus expresses the results or the emotions.

All right, now that you have that mastered, let's tackle the bridge. Ah, yeah, there is more to the song than the pain and the release. We need the diversion. That is what the bridge is; it is the diversion from the verse and the chorus.

The bridge may have a slightly different melody to it, or it could even have a different rhythm or a different tempo (Elvis' "Suspicious Minds" did a great job on this technique).

Let's go back to the lame song and add a bridge:

(verse)
My dog is sick, he's got a tick
He's my best friend, don't let it end

(chorus)
Oh, woe is me, can't you see
Woe is me, will I ever be free

(verse)
My car broke down, just out of town
It got towed in, but it's broke again

(chorus)
Oh, woe is me, can't you see
Woe is me, will I ever be free

(bridge)
Tomorrow is a better day, I've got a new truck on the way
My dog just had a flea it seems, so once again I'll live my dreams

(chorus)
Oh, woe was me, can't you see
Woe was me, but now I'm free

The bridge offers a solution to the problems I was having. You don't want to leave your listener on the edge of suicide, you want to give them hope.

Notice, I also changed up the wording of the chorus. This was done to reflect my new found joy.

One more thing on formula. It can be anyway you want, but most verses and chorus come in lines of 4. So, instead of this:

(verse)
Oh, woe is me, can't you see
Woe is me, will I ever be free

(verse)
My car broke down, just out of town
It got towed in, but it's broke again

it would be:

Oh, woe is me, can't you see
Woe is me, will I ever be free
My car broke down, just out of town
It got towed in, but it's broke again

The same goes for the chorus. Again, if you are creative, do it however you want. But for a new songwriter, this gives you some guidelines to scratch out and start carving out your new creation.

One more thing, do not make the notes to the melody so high that your fans cannot sing along. We are certainly all not Stevie Wonder.

Michael Russell
<a target="_new" href="http://mgrcentral.com/">MgrCentral.com</a>
Established 2001
Home Business Training and Information Guides

วันจันทร์ที่ 1 ธันวาคม พ.ศ. 2551

Top 50 Music Quotations

Discover the phenomenonal complexity of music and reflect on the way it can positively influence your life with this sound collection of riveting quotes...
<LI>"Music, the greatest good that mortals know, And all of heaven we have below."
-- Joseph Addison
<LI>"Music was my refuge. I could crawl into the space between the notes and curl my back to loneliness."
--Maya Angelou
<LI>"Music is either good or bad, and it's got to be learned. You got to have balance."
-- Louis Armstrong
<LI>"Music washes away from the soul the dust of everyday life."
-- Berthold Auerbach
<LI>"The aim and final end of all music should be none other than the glory of God and the refreshment of the soul."
--Johann Sebastian Bach
<LI>"Music is the mediator between the spiritual and the sensual life."
-- Ludwig van Beethoven
<LI>"Music - The one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend."
-- Ludwig van Beethoven
<LI>"Music can change the world. "
-- Ludwig Van Beethoven
<LI>"Music can name the unnameable and communicate the unknowable."
-- Leonard Bernstein
<LI>"Music has to breathe and sweat. You have to play it live. "
-- James Brown
<LI>"Music is well said to be the speech of angels."
-- Thomas Carlyle
<LI>"All music comes from God."
-- Johnny Cash
<LI>"If you learn music, you'll learn most all there is to know. "
-- Edgar Cayce
<LI>"Music is nothing separate from me. It is me... You'd have to remove the music surgically. "
-- Ray Charles
<LI>"Good music is good no matter what kind of music it is. "
-- Miles Davis
<LI>"There is no feeling, except the extremes of fear and grief, that does not find relief in music."
-- George Eliot
<LI>"You are the music while the music lasts."
--T. S. Eliot
<LI>"We need magic, and bliss, and power, myth, and celebration and religion in our lives, and music is a good way to encapsulate a lot of it. "
-- Jerry Garcia
<LI>"Music is the language of the spirit. It opens the secret of life bringing peace, abolishing strife."
-- Kahlil Gibran
<LI>"When people hear good music, it makes them homesick for something they never had and never will have."
-- Edgar Watson Howe
<LI>"Music expresses that which cannot be said and on which it is impossile to be silent."
-- Victor Hugo
<LI>"The history of a people is found in its songs."
-- George Jellinek
<LI>"Music is the vernacular of the human soul."
-- Geoffrey Latham
<LI>"It requires wisdom to understand wisdom; the music is nothing if the audience is deaf."
-- Walter J. Lippmann
<LI>"Just as certain selections of music will nourish your physical body and your emotional layer, so other musical works will bring greater health to your mind."
-- Hal A. Lingerman
<LI>"Music is the harmonious voice of creation; an echo of the invisible world."
-- Giuseppe Mazzini
<LI>"Music is a beautiful opiate, if you don't take it too seriously."
-- Henry Miller
<LI>"I started making music because I could."
-- Alanis Morissette
<LI>"Music helps you find the truths you must bring into the rest of your life. "
-- Alanis Morissette
<LI>"Music is spiritual. The music business is not. "
-- Van Morrison
<LI>"Like everything else in nature, music is a becoming, and it becomes its full self, when its sounds and laws are used by intelligent man for the production of harmony, and so made the vehicle of emotion and thought."
-- Theodore Mungers
<LI>"Without music life would be a mistake."
-- Friedrich Wilhelm Nietzsche
<LI>"In music the passions enjoy themselves."
-- Friedrich Wilhelm Nietzsche
<LI>"Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art."
-- Charlie Parker
<LI>"Music should be something that makes you gotta move, inside or outside. "
-- Elvis Presley
<LI>"It's the music that kept us all intact, kept us from going crazy. "
-- Lou Reed
<LI>"The music business was not safe, but it was FUN. It was like falling in love with a woman you know is bad for you, but you love every minute with her, anyway."
-- Lionel Richie
<LI>"Music should never be harmless."
-- Robbie Robertson
<LI>"Give me a laundry list and I'll set it to music."
-- Gioacchino Antonio Rossini
<LI>"All music is important if it comes from the heart. "
-- Carlos Santana
<LI>"Music is the key to the female heart."
-- Johann G. Seume
<LI>"The best music... is essentially there to provide you something to face the world with. "
-- Bruce Springsteen
<LI>"All I try to do is write music that feels meaningful to me, that has commitment and passion behind it."
-- Bruce Springsteen
<LI>"In music one must think with the heart and feel with the brain."
--George Szell
<LI>"When I hear music, I fear no danger. I am invulnerable. I see no foe. I am related to the earliest times, and to the latest."
-- Henry David Thoreau
<LI>"For heights and depths no words can reach, music is the soul's own speech."
--Unknown
<LI>"Most of us go to our grave with our music still inside of us."
--Unknown
<LI>"I believe in the power of music. To me, it isn't just a fad. This is a positive thing."
-- Eddie Vedder
<LI>"Music at its essence is what gives us memories. "
-- Stevie Wonder
<LI>"There's a basic rule which runs through all kinds of music, kind of an unwritten rule. I don't know what it is. But I've got it."
-- Ron Wood

<B>Resource Box - ? Danielle Hollister (2004) is the Publisher of BellaOnline Quotations Zine - A free newsletter for quote lovers featuring more than 10,000 quotations in dozens of categories like - love, friendship, children, inspiration, success, wisdom, family, life, and many more. Read it online at - <a target="_new" href="http://www.bellaonline.com/articles/art8364.asp">http://www.bellaonline.com/articles/art8364.asp</a></B>